In this interview, filmmakers Ashweein Narayanan and Sydney Atin delve into their telemovie, “Aram Kaban,” centered around Dexter, a futsal enthusiast who forms his team after being excluded from the school futsal team selection. The film explores Dexter’s ego-struggle and transformation from a self-centered individual into a team leader, highlighting themes of friendship, perseverance, and the appreciation for underdogs.
The interview comprehensively covers various aspects of the movie, encompassing character development, casting choices, and behind-the-scenes anecdotes. Additionally, it explores the filmmakers’ motivations for including themselves in the cast and their aspirations to create impactful films that resonate with audiences while authentically reflecting Sarawak’s essence.
Q: How were the characters in Dexter’s team crafted?
Sydney Atin: For my debut movie, I wanted to return to the basics of writing. We employed classic character archetypes with a local twist, generating conflicts and rich interactions among characters. For instance, Abu’s love for snacks added a local touch, and his mixed heritage—half Malay and half Iban—speaking Iban enriched his character.
Q: Why introduce Patricia as a female team member?
Sydney Atin: Patricia was a character I envisioned early on, even before scripting ‘Aram Kaban’, to challenge the stereotypical perception of futsal as male-dominated. I aimed to make Dexter reflect on himself through a skilled and strong female character, disrupting expectations. Patricia, older and overlooked due to her gender, joined the young team and volunteered herself. Despite initial resistance, they grew together, showcasing Patricia’s essential role in character and team development. This inclusion was a deliberate and enriching choice for the narrative.
Q: Any amusing behind-the-scenes moments?
Ashweein Narayanan: Funny moments included Abu’s constant snacking and an unexpected toilet scene. There was also a scene improvised at a market capturing the kids’ natural interactions.
Q: Could you provide insight into the casting choice of Emanuel for the role of Dexter, the main character?
Sydney Atin: Initially, we had specific young talents in mind for the roles, but by 2022, they had outgrown the characters both physically and vocally. We had to adapt due to the their growth, visiting schools to find the right matches based on behavior and personality. School staff played a crucial role in the casting process, which we truly appreciate.
Q: How different are the main cast members from their characters?
Ashweein Narayanan: They are more playful off-camera. Emmanuel (Dexter) is playful and enjoys jokes, unlike his serious on-screen character. This playful dynamic enhances the camaraderie among the young actors, fostering a vibrant environment during filming. Even Abu, who always snacking just like his character, turned into a hilarious running gag on set, driving the sound man a bit crazy. Despite the challenges encountered during the shooting process, such as minor injuries and unexpected hiccups, the children showcased remarkable enthusiasm and adaptability, contributing to an enjoyable and successful filming experience.
Q: Why did you cast yourselves in the movie?
Ashweein Narayanan: Budget constraints led to casting Sydney (Cikgu Henry). It was a learning experience for him. I also acted to maintain creative control. While I did not have a major on-screen presence, I have acted in other projects, and I can attest that acting in your own creation feels different. In that case, I am not just another actor; I am investing in every aspect, striving for the best outcome, which is a unique experience.
Q: Why choose futsal as the central sport?
Sydney Atin: Futsal was relatable and simplified logistics. Despite my lack of personal interest or expertise in football or futsal, the decision was driven by the desire to present a common goal that resonates with a diverse audience. Additionally, the smaller team size in futsal streamlined the casting process and logistical arrangements, allowing us to concentrate on the essence of friendship and teamwork that underpins the narrative. Ultimately, the focus was on friendship, not the sport itself.
Q: Any plans for future projects with these young talents?
Ashweein Narayanan: If opportunities arise, we would involve them again. They have talent and potential in the creative industry.
Q: What’s next for you?
Ashweein Narayanan: We’re wrapping up a documentary series, working on corporate projects, and have short films and more in the pipeline. Looking ahead, we are eager for upcoming pitching sessions from TVS, which we aim to develop and pitch new ideas.
Q: As young Sarawak directors, what are your aspirations?
Sydney Atin: My dream is to weave films that stir hearts, transcending cultural confines. A great story, like our telemovie about Sarawak’s kids, has an inherent power to resonate with anyone. In Ensera (Iban language), ‘story’ means everything—we focus on tales that truly touch the soul.
Ashweein Narayanan: Authentic tales, when genuine, hold a unique magic—they connect with every heart. Beyond the technical, it’s about infusing emotion. And, of course, utilizing high-quality tools like excellent cameras and platforms such as TVS enables us to elevate our storytelling, effectively breathing life into our narratives.
Aram Kaban will be streaming this Saturday, October 7th, at 8:45 PM exclusively on TVS channel 122 MYTV, Unifi TV, and Astro.
